<p>早期的巴西“边缘电影”经典:在里约热内卢，23岁的地下电影人Júlio Bressane拍摄了其第二部长片作品《杀死家庭，看电影去》（1969），这部仅用了12天就完成的电影成为“Cinema Marginal”中最经典的杰作之一，大量的手提式摄影，不规则的广角镜头，杂乱无序的剪辑以及好几个同时进行又完全独立的剧情，试验性的电影语言使其成为“边缘电影”中最具创造力的作品之一，在其诞生22年之后，巴西重拍了这部经典地下电影的彩色版，但重拍版却完全失去了原版的影像光芒。</p>...

<p><span style="color: rgba(0, 0, 0, 0.87); font-family: Roboto, Helvetica, Arial, sans-serif; letter-spacing: 0.5px; text-wrap-mode: wrap; background-color: rgb(255, 255, 255);">一位年轻女子从约翰内斯堡回到家乡，经营她已故父亲的渔业公司，并拯救她的社区免于失去生计。</span></p>...

<p><span style="color: rgba(0, 0, 0, 0.87); font-family: Roboto, Helvetica, Arial, sans-serif; letter-spacing: 0.5px; text-wrap-mode: wrap; background-color: rgb(255, 255, 255);">塔米·佩斯卡泰利 (Tammy Pescatelli) 回到她的老高中拍摄一部喜剧特辑。</span></p>...

<p>&quot;Take Care&quot; is a comedy about a woman (Leslie Bibb), who returns home from the hospital after getting hit by a car, only to realize no one wants to take care of her. After being brushed off by her sister, (Nadia Dajani), best friend, (Marin Ireland) and neighbor, (Michael Stahl-David) she reluctantly asks an ex-boyfriend, (Thomas Sadoski) to help her.(SXSW)</p>...

<p>After amusements working in a restaurant, Charlie uses his lunch break to go roller skating. Mr. Stout makes advances toward the unwilling Edna (whose father and Mrs. Stout had earlier carried on in the restaurant). After a roller skate ballet, Charlie (now as Sir Cecil Seltzer) is invited to a party at Edna&#39;s. All the &quot;couples&quot;, including a new partner for Mr. Stout. show up.</p>...

<p>After believing she spotted her son in a traveling caravan, a distraught mother returns to the island of El Hierro, where son disappeared three years previously.</p>...

<p>Aided by an ex-military officer, a young woman becomes an unwitting fugitive after discovering that her son&#39;s catatonic state may be at the heart of a global conspiracy.</p>...

<p>Tortured by the memory of a childhood trauma, a woman returns after a decade to her family&#39;s fly-in hunting lodge to assist her siblings with their dying father, only to find herself stuck in a life threatening nightmare.</p>...

<p>After wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.</p>...

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);">Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender.</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);">　　Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film&#39;s interest in complicating facile views of atonement and forgiveness in light of such tragedies.</span></p>...